The Genre Of Rock N Roll - 1062 Words

Elvis Presley, also known as the king of Rock ‘n’ roll, once said â€Å"Rock ‘n’ roll music, if you like it, if you feel it, you can t help but move to it. That s what happens to me. I can t help it.† The genre of Rock ‘n’ roll has been a part of the world since the early 1940’s. According to Just a Half a Mile from the Mississippi Bridge: The Mississippi River Valley Origins of Rock ‘n’ Roll, this genre was born in the Mississippi River Valley and moved up and down its course, including its tributaries (the Cumberland, Tennessee, Illinois, and Missouri rivers), and along the highways and railroads which paralleled those rivers. This genre of music produced during the recovery of the second World War, Rock ‘n’ roll gave rise to one of the greatest impacts on past American generations, and continues to go forward into my own generation today. James Henke acknowledges that â€Å"various cities played large roles in the history of Rock ‘n’ roll: Memphis in the 1950s, Detroit during the Motown era, London and Liverpool during the British Invasion, San Francisco during the psychedelic era, New York and London during the punk period, and Seattle during the grunge era.† Without rock music, pop and other genres would not as successful and popular as they are now. While older generations have a tendency to despise rock music, Elvis Presley exemplified his generation, and rock music generated an enormous impact on society, and unified the American society. Rock ‘n’ roll has numerousShow MoreRelatedElvis Presley s Era And Rock N Roll Genre1624 Words   |  7 PagesElvis Presley Paramusical Analysis This essay will examine how the 1950’s era and rock n roll genre is represented in Elvis Presley’s 1956 popular recording â€Å"Hound Dog†. The African American rhythm and blues influences will also be studied through the paramusical factors and the musical features. This will be discussed as African American female blues singer Big Mama Thornton’s original 1952 recording of â€Å"Hound Dog† was covered and popularised by Elvis without compromising the original African AmericanRead MoreMusic Is Always Changing With The Times1749 Words   |  7 Pageschanging with the times. The more different types of music made, leads to having more genres of music to choose from. This begs the question how do we truly know what type of music we are listening too? With the way music is currently, putting music in the correct genre can prove to be troublesome. Reason being, the ideas of past genres are incorporated into current genres which makes labeling a song w ith the correct genre difficult. It takes a thorough analysis with strong listening skills to help findRead MoreRock And Roll : Rock Roll1169 Words   |  5 PagesMarinas Mus160 CRN 10962 Homework # 2 Rock Roll Rock music has come a long way since its development in the early 20th century. The genre, defined â€Å"as a merger between rhythmblues and country† (Scaruffi, The History of Rock Music:1955-1966), started out more as an underground market, but ended up becoming a significant aspect of American popular music history. Rock-n-Roll music produce many legendary artists who will forever be known as innovators of the genre. Elvis Presley and Chuck Berry wereRead MoreA Perspective Of Rock And Roll s Impact On Society1653 Words   |  7 PagesA Perspective of Rock and Roll’s Impact on Society â€Å"Rock and roll keeps you in a constant state of juvenile delinquency,† stated Eddie Spaghetti; this quote captures the essence of rock n roll. It speaks it s truth about the influence on attitudes towards authority and implies how society reacted to the new revolution created by Rock ‘n roll, transforming the world into what it has become today. The music affected how people used recreational drugs, having unmarried sex, and threatened the traditionalRead MoreThe Power Of Rock N Roll Changed Society1373 Words   |  6 PagesThe Power of Rock Older generations complain today that music these days just does not compare to music of the past, that the music we listen to today has no class and makes us rebellious. Ironically enough, they were told the exact same thing themselves when they were young, along with the generation before them. Rock N’ Roll changed the fabric of society for nearly a century, having evolved from music that was already controversial in itself. As a result, a generation of youth that was either consideredRead More The social and political context of the 1950?s is crucial to any understanding of the birth of rock n roll840 Words   |  4 Pages The social and political context of the 1950’s is crucial to any understanding of the birth of rock n roll. â€Å"Rock was formed out of the social, economic and political context of post-war America†. The social context was on the bases of the post war baby boom, which counted for the birth of 77 million babies between the years 1946-1964. By the year 1964 forty percent of America’s population was under twenty years of age. For the first time both middle and working class youths were acquiring anRead MoreEssay The History of Rock and Roll1033 Words   |  5 PagesRock music has come a long way since its development in the early 20th century. The genre, defined â€Å"as a merger between rhythmblues and country† (Scaruffi, The History of Rock Music:1955-1966), started out more as an underground market, but ended up becoming a significant aspect of American popular music history. Rock-n-Roll music produce many legendary artists who will for ever be known as innovators of the genre. Elvis Presley and Chuck Berry were some of the many artists in Rock-n-Roll who willRead M oreChanges in Musical Styles Related to Changes in Human Society1637 Words   |  7 Pagesage of recording. The electric guitar and thus the typical band needs electricity (para. 4). Although electric musical instruments have been used in a wide array of musical genres, including gospel, rhythm and blues, jazz and bluegrass, perhaps the genre most profoundly affected by the electronic age was rock and roll, as characterized by bands with two or three electric guitars (and a set of drums). For instance, Tyler (2000) emphasizes that, Widespread national touring became profitable withRead MoreAfrican Americans Influence On Music1229 Words   |  5 PagesIn today’s day and age, it’s easy to hear black culture represented in most hip-hop; that is the dominating music genre that expresses African American views. It’s not so easy to remember where African Americans influence on music al began. Black influence on music today is really unrecognized but it’s important to bring to light just how much African Americans really have contributed to the sound, style, and feel of today’s music. Not just hip-hop or rap, but all kinds of music. There was one particularRead MoreThe Impact of Rock n Roll on the Civil Rights Movement1590 Words   |  7 PagesIt was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such

Western Art Exhibition Critique Free Essays

The show â€Å"Renoir in the 20th Century† is a group art exhibit of the French artist Pierre-Auguste Renoir and his friends, held at the Los Angeles County Museum of Art (LACMA), exhibiting from February 14 to May 9, 2010. The paintings on exhibit are the works Renoir finished in the last 30 years of his life, included in the 6,000 art pieces he finished throughout his entire career. The gallery literature lists his displayed work as â€Å"decorative, classical, and a highly personal interpretation of the Grand Tradition. We will write a custom essay sample on Western Art Exhibition Critique or any similar topic only for you Order Now The artists that Renoir influenced throughout his life and are also on display at the LACMA with their paintings, drawings and sculptures are Picasso, Matisse, Maillol and Bonnard. The art works in the public display by Renoir consist of women, children and family members with only a few self-portraits. No landscape or still life is evident in this show, as in his earlier Impressionism shows. But what makes it important is that the art work is good, as compared to years of negative art reviews by critics, who have turned their backs on this notable artist in his later years. Painting until he died in 1919, Renoir was an unpretentious and very humble artist, even though he always wanted to be the best at what he did. He had become well-established during the Impressionism years because of his talent and this attitude. However, his successful art period was quickly followed by years of wondering if he could ever paint again. I’m starting to know how to paint. It has taken me over fifty years’ work to get this far and it’s not finished yet,† declared the artist Pierre-Auguste Renoir (1841-1919) in 1913, at a time when a major exhibition of his work, including the large nudes painted at the turn of the twentieth century, was in the show at the Bernheim Jeune gallery in Paris. When Renoir followed other artists, such as Monet, into Impressionism it w as considered by the art world as a huge movement away from Realism – the historical work of past artists that almost appeared to imitate life. The year 1869 had brought a new style of art called Impressionism into the world, developed by artists Renoir and Monet. At the beginning of the art movement, the works of both artists were so much alike it was as if their still life and landscape art blended together into one joyful union with colors to match the feelings. Using unmixed primary colors, the work had a look about it unlike any other. The dark earthy tones and heavy dedicated brush strokes of the previous masters were gone. By 1880, Renoir had begun to move away from Impressionism even though he was highly sought for his unique colors and rainbow palette style, especially in his nudes and body forms. However, deep inside he felt he had â€Å"wrung Impressionism dry. † These feelings are because his work of the human form had always been more traditional than other artists of the Impressionism group, and he was feeling as if it was pulling him away from what he felt was right for him. Renoir’s return from an Italy trip in 1982 left him doubting Impressionism even more, with his work changing so much that critics, patrons and other artists felt he was going downhill with his art ability. At this time, late Renoir artwork was beginning to be considered bad Renoir work. Showing with the Impressionists, the painter [Renoir] is reported to have lamented to a dealer, â€Å"I’ve come to the conclusion that I can neither paint nor draw. † Looking at the show one is inclined to mumble, â€Å"Indeed. Renoir eventually left Impressionism, returning to the full-bodied female nude and children he enjoyed doing, instead of landscape and outdoors. After studying in Italy, he discovered the importance of drawing prior to painting. According to the art exhibit literature, the work of Gabriel and Jean that Renoir painted in 1895, a painting of his infant son and nanny, demonstrated this fact. Prior to its painting, he worked on preparatory drawings of the pain ting before he started. This was difficult He had become so mesmerized with the child’s infant gown he spent hours on the painting, while quickly painting over the face of Gabrielle whom he really did not want to paint, refusing her several times prior to this. â€Å"He [Jean] said that in his father’s paintings, everyone looked as if they were brothers and sisters. We are all Renoir’s children in the paintings,† Jean Renoir said. † Severely in pain with rheumatoid arthritis, his hands became completely gnarled and he became wheelchair-bound. In as much pain as he was, he still painted for years. Paintings like Jean as a Huntsman shows a full-length portrait of his son, Jean, referred to as a modern â€Å"Blue Boy. † The work appears as a work of the old masters, with the gallery listings describing it as similar to the work of Spanish artist Diego Velazquez, which exemplified Renoir’s work with â€Å"great art of the past† – with Jean posing for several months while his father painted under extreme pain throughout the process. According to the LACMA literature for the show, the painting remained with Renoir until his death, and then was given to LACMA by Renoir’s son, Jean, in 1979. Subject matter of his final years were nudes, girls at a piano, children with their nannies – turning his back on his Impressionism style he had been so involved with earlier in his life. The light brush strokes disappeared, with Renoir returning to the style of the old masters such as Rubens. With hands appearing as old tree stumps, he had mastered the use of color and brush strokes toward his final years. To paint, he wrapped fabric around his gnarled fingers while clamping a paintbrush between the thumb and first of his right hand, appearing gaunt and emaciated. But he still painted for hours because if he quit, the pain may actually destroy him. The art display â€Å"Renoir in the 20th Century† Los Angeles County Museum of Art demonstrates how far Renoir had come artistically toward the end of his life. Instead of â€Å"Bad Renoir art† in his later years, it was the best he had ever done with a glowing to his skin tone other artists could not compete with. Becoming more and more of an art master who was dedicated to his work helped him overcome his physical pain. Through this, he worked to re-develop and refine the traditional forms and methods into an exquisite art form he had always preferred. Nowhere is this success more apparent than in the art exhibit of Renoir and his friends. How to cite Western Art Exhibition Critique, Papers

Marriage A sociaological Perspective Essay Example For Students

Marriage A sociaological Perspective Essay The Institution of Marriage: A Sociological PerspectiveAccording to Webster, marriage is defined as the institution whereby men and women are joined in a special kind of social and legal dependence for the purpose of founding and maintaining a family. That sounds simple enough however, it was not always so. During the seventeenth century arranged marriages were commonplace. The primary purpose of marriage was to bring together family and property. In the colonial period couples married for friendship. Not until the 1800s did love and romance become central to marriage. Now marriage is seen as the merging of individuals instead of families. Since then the words love and marriage have gone hand in hand. Christianity defines marriage as a holy union under god. Couples accept one another for better or for worse until death do they part. The church frowns upon the mere mention of divorce and although the values surrounding marriage have evolved, forsaking the sacrament of marriage is a si n in the eyes of a Christian god. Values such as activity and work, humanitarianism, religiosity and romantic love define the ideal Christian model although, real culture differs somewhat. External influences create variables that affect change in how individuals prioritize their values creating the real culture that more closely resembles modern society. Americans place high value on achievement and success, an area that is augmented through education and gauged by the accumulation of material wealth. Individualism is a symptom of the economics of capitalism. The individuals goals and chances for success are enhanced by efficiency and practicality, which is in turn enhanced by technological progress. As the costs of living increase marriage has become a convenient solution to affording better quality of life. Herein lies a paradox. A pair unites to combine financial resources yet continue to strive for individual successes. Ironically a large number of couple site financial issues as a cause of divorce. Many of the values listed above are attributed to the real culture and are applicable to the therapeutic attitude by emphasizing individuality and self-improvement. The evangelical Christian model is closely associated with symbolic interactionalism. The symbols of husband, wife, family and community are all relevant to the Christian model. Couples declare their vows to one another under the auspices of a priest and the eyes of God after which they are declared husband and wife. A new identity that is recognized by the community as a notable achievement. The therapeutic model of marriage is a functional union whereby two individuals combine tangible, emotional and spiritual resources. Couples work systematically to advance their careers and develop their families. Together the family is able to handle many different functions of everyday life and ensure their continued success. Values such as efficiency, practicality and progress are relevant factors to the th erapeutic model. These values may potentially aid in the success of the union, however as technologies continually advance it becomes increasingly difficult to remain efficient and progressive. Future shock is a term used to label the inability of a society to comprehend technology as fast as new technologies are introduced. Consider the fact that many of us still have difficulty programming the clocks on a VCR. Compound that issue with the introduction of the DVD player. How can we begin to understand digital video when we are still learning how to operate an analog device. Technology may very well assist some marriages; on the other hand it can also have less than favorable effects. Most of us want to have a loving and successful marriage. However, accomplishing this task is harder than it may seem. Much time and energy must be devoted to a marriage in order to make it last. There are many characteristics that have been found to be predictors of good marriages, but with so many va riables to consider, what makes a good marriage? The answer may continue to elude us for years to come. .ueb43841d5af68712e71b9b5771c4402b , .ueb43841d5af68712e71b9b5771c4402b .postImageUrl , .ueb43841d5af68712e71b9b5771c4402b .centered-text-area { min-height: 80px; position: relative; } .ueb43841d5af68712e71b9b5771c4402b , .ueb43841d5af68712e71b9b5771c4402b:hover , .ueb43841d5af68712e71b9b5771c4402b:visited , .ueb43841d5af68712e71b9b5771c4402b:active { border:0!important; } .ueb43841d5af68712e71b9b5771c4402b .clearfix:after { content: ""; display: table; clear: both; } .ueb43841d5af68712e71b9b5771c4402b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ueb43841d5af68712e71b9b5771c4402b:active , .ueb43841d5af68712e71b9b5771c4402b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ueb43841d5af68712e71b9b5771c4402b .centered-text-area { width: 100%; position: relative ; } .ueb43841d5af68712e71b9b5771c4402b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ueb43841d5af68712e71b9b5771c4402b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ueb43841d5af68712e71b9b5771c4402b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ueb43841d5af68712e71b9b5771c4402b:hover .ctaButton { background-color: #34495E!important; } .ueb43841d5af68712e71b9b5771c4402b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ueb43841d5af68712e71b9b5771c4402b .ueb43841d5af68712e71b9b5771c4402b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ueb43841d5af68712e71b9b5771c4402b:after { content: ""; display: block; clear: both; } READ: Ferdinand Magellan Essay Bibliography: